My interest in this specialized field lie in how the costume can be used as a sculptural, often abstract and painting like element within a performance and alongside the dancer.
Working with many different established choreographers at Laban Conservatoire of Contemporary Dance for four years I have established a strong vision for dancewear, exploring the possibilities of costumes in motion.
Other companies I worked with include Intoto, StopGap, Made by Katie Green, Stage of Emergency, Kerry Nichols for Rambert School of Dance, Hubert Essakov for the English National Ballet.
